2000 Solo exhibition Burning Roses, Cultural center Las Campanas. Tlalpan.
· Solo exhibition Steeds that the soul rides. Art Museum of Querétaro, Mexico.
· Collective exhibition Woman Time. IMSS. Gallery of the Medical Center XXIst Century. Mexico, D.F.
Of all the flowers, none calls so many opposite meanings as the rose; its records go from the ardor and the desire to the innocence and friendship, from the sensual use, the vitality and the appetite of being, to the mystical resignation, the balance of the perfection and the shining eternity.
E. R. Blackaller
painting cycle
SUITE OF THE ROSE
Paisaje de dos
2000
Rosas de otro tiempo
2000
Rosas que se lleva el viento.
2000
Vapor de plata que se levanta.
2000
Sol Nuevo II, 2000
portfolio of mixed technique
37 WAYS TO DESCRIBE THE LIGHT
Series Flashes in the air 10 mixed media
Series Petal landscapes 5 mixed media
Series Flowers for red tablecloths 14 mixed media
Series Deep Root Horizon 8 mixed media
Video about the mixed media portfolio, which includes the music of E. R. Blackaller,
composed expressly for these 37 works.
37 ways of describing the light
2001. Collective exhibition Two + one = three. Old room San Lorenzo IPN. Mexico City
· Collective exhibition Expo Marbella. Royal Palace of Conventions. Marbella, Spain.
· XXXI National Contest of journalism. Club of journalists in Mexico.
· Collective exhibition Diversity and Meeting. Municipal Gallery of Oaxaca. Mexico.
2001
painting cycle
JACARANDAS
Jacarandas
Se abren primero uno o dos botones
Después,
un racimo aquí otro alla;
hasta que al calor de una tarde
y, mientras las nubes se llenan de sol,
toda la jacaranda ...
es flor.
Lucille Wong
Jacarandas y luna, 2001
Quietud al atardecer, 2001
Jacaranda en primavera, 2001
Desnudo al atardecer, 2001
Silencio misterioso,
2001
Tiempo en profundidad
2001
Every painting, is an act of love, every word written by Lucille is an act of faith, where shape and life interact, with the synthesis and the difficult facility of a modern visual and written Haiku; the always present east begins to show from its ancestral past and manages inside an impressive simplicity, the polysemy of multiple meanings: the poem leads to the painting and having observed it, we return, curious to read the written and everything takes a new, different, much wider dimension, has managed to magnify the horizon of our sensations.
Laura Elenes
2002. Collective exhibition A gaze on art. House of the Time, Metropolitan Autonomous University, Mexico.
· Collective exhibition Eternal feminine. International seminar of University Women. Theater José Peón Contreras.
Merida, Yucatan, Mexico.
2002
painting cycle
EARTH IN FLOWER
Solo una flor, 2002
Verde quieto, 2002
Fecunda primavera, 2002
Plenitud de cada rosa, 2002
painting cycle
COATLIXOCHITL
Coatlixóchitl, 2002
Nochebuena, 2002
Flor de Nochebuena, 2002
Lucille Wong is the first and perhaps the only painter who has delivered to us a poetical and dazzling vision of the Coatlixóchitl. The intense and bloodied cycle by the glare of the solar deity, whence comes the flower of Christmas Eve, does not deal with the documentary description, with the anecdotal history, but with the exploration of the forgotten and unpublished territories of the spirit …
E. R. Blackaller
2003. Exhibition Perfume that remains. Saltillo, Coahuila.
· Collective 20 years 1000 days. Polyforum Cultural Siqueiros. México, D.F.
· Collective Letters, color and time. Universitary Museum, Autonomous University of the State of México in Toluca, México.
painting cycle
FOUR MOVEMENT ROSES
2003
Rosas del despertar
Rosas de juventud
Rosas del saber
Rosas de madurez
painting cycle 2003 – 2005 XINANTÉCATL I
Xinantécatl. Manantial de piedra,
2003
Espaciosa y helada noche de septiembre,
2003
Sol entre lava,
2003
Lost in the memory I have the blurred image of a visit to the Nevado de Toluca in my childhood. I remember nothing of the way, nor of my permanence for a few hours, I suppose, in the crater. However, what I hold is that precise moment to reach the edge of the crater and perceive a crucible.
Lucille Wong
2004. 2004. The Autonomous National University of Mexico, inside the celebrations of Fifty years of the University campus, published the Guide of Murals that reunites part of the artistic treasure of the institution, and include the Mural Galope in silence.
painting cycle 2003 – 2005 XINANTÉCATL II
2004
Horizonte rojo, 2004
Ronco sol, 2004
Noche mineral, 2004
Vértice solar, 2004
Vértice torrencial, 2004
What retains and materializes Lucille Wong in her illuminations does not stagnate in the surface: it is stratification and vein, telluric record of the bites of time, and full testimony of an adult eye that has been transported from the glare to lucidity.
Alfonso Sánchez Arteche
The book of the celebrations
of Lucille Wong.
Text by E. R. Blackaller, 2004.
Scorched time. Catálogue
Text of Alfonso Sánchez Arteche, 2005
Mural Galloping in silence. In the Guide of Murals of the National University.
Text of Julieta Ortiz, 2004
2005. Solo exhibition Scorched Time. Museum of Fine arts of Toluca.
· The documentary Scorched time, about the painting cycle of the Xinantécatl volcano was recorded.
· From a gallop in silence. Contemporary Art and Design Gallery. Puebla, Mexico.
· Collective exhibition Mexican painting. Art Rouge Gallery. Miami, Florida, USA. 2006. Collective exhibition Gallery Hecaro, Mexico City.
· Collective exhibition Dreams, actions and creation. Museum of Carmen, D.F. Mexico.
· Collective exhibition Mexican Artists, Art Rouge Gallery, Miami, EUA.
2005
painting cycle 2003 – 2005 XINANTÉCATL III
Laguna del sol,
2005
Atardecer
Espejo sumergido
2005
Cinturón de piedra
2005
Gran piedra germinal
2005
cores of geological prospecting THE VOLCANO, THE STONE AND THE LIGHT
Exhibition Scorched Time, in the Fine Arts Museum of Toluca, México
Nobody can with a confused language illuminate opaque scenes or gloomy, cloudy places, either belong to man or to mythologies, past or present. And what is difficult facing the enigmatic and the incomprehensible becomes arduous and rough in front simplicity; as pure happiness or the elementary ground. I believe that clarity is the key of Lucille Wong.
E. R. Blackaller
DVD Scorched time
2006
2006. Three videos are produced, one on the pictorial cycle of the Xinantécatl volcano, and two others that introduce to the aesthetics of Lucille Wong and some elements that shape her influence of Oriental art.
Scorched time, 2006
The four treasures
of orienta artl, 2006
El sello, 2006
2007. For the second time her work is auctioned in the annual event organized by the National Museum
of Women in the Arts, Washington.
· Collective exhibition, two samples in commemoration of the International Day of women: Women, hands-on, Ministry of Foreign Affairs; and Eight women, eight expressions, Instituto Mexicano del Seguro Social. Mexico.
· Solo exhibition Nudes. Cultural Center Vito Alessio Robles, Saltillo.
2007
painting cycle
SUITE OF THE ELUSIVE LIGHT
Los espejos del tiempo, 2007
Rito nupcial, 2007
Pentesilea, 2007
La indiferente, 2007
Mujer en la arena I, 2007
Thamar, 2007
... the plenitude of equivocal or imperfect form and the victory of the woman when the reflection of the line transfigures her into water, fire, wind, night enchantress, spring, zenith, harvest. This ambience, precariously described, is the real substance of the nude, the challenge that throws to the gaze. Under the influence of the western traditions, the man, although not excluded, occupies quantitatively a background. The explanation is simple, Robin Bond's workshop never missed women models. On the other hand, the male models were scarce.
E. R. Blackaller
Nudes. Catálog
Text of Javier Villarreal Lozano,
2007
Of the mirrors of the time Catálog
Texto of E.R. Blackaller,
2008
The look and the light . Catálog
Texto of Alfonso Sánchez Arteche,
2008
2008. Iin the Museum Franz Mayer the catalog Lucille Wong, the gaze and the light is presented.
Mexico. Edited by Jose Roquero de Teresa.
· In October, the gallery Naxica, inaugurates the sample Of the mirrors of the time and publishes a catalogue.
nudes
OF THE MIRRORS OF THE TIME
Las furias y las penas, 2008
2008
Del rcóndito jardín, 2008, 2008
El amor y la furia, 2008
Soledad.
Homenaje a Francis Bacon.
2008
In all the nudes there is clear the pretension to go thoroughly, to reach the deep foundations and the ambivalent interior, luminous or in darkness, of a forbidden enclosure, strange, away from us and that only the creative intuition is capable of revealing. By the uncertain environment which envelops it, by the occult resonances which awakes and by the fusion and mixture and opposition of sleep and vigil, innocence and perversion, radiance and darknesses, taboos and desecrations, the territory of the bodies exposed has always been a sacred area wrapped with the inaccessible aureole of the secret. However, this enclosure, rough and tender at the same time, has its borders opened for happiness or pain; desperation or balance, serenity or anguish …
E. R. Blackaller
painting cycle
FOUR CIÉNEGAS
Cuatro ciénegas I, 2008
Cuatro ciénegas II, 2008
Nubes sobre Coahuila, 2008
Nenufar endémico I, 2012
Nocturno azul, 2012
2009. Solo exhibition Flowers, nudes, landscapes. P. M. Gallery of San Jose del Cabo, Baja California Sur. Mexico.
2009
Los frutos del milenio II, 2009
Sol y viento, Jacaranda,
2009
Noche con polvo de luna II,
2009
Sol entre Jacarandas,
2009
There are in her work a happy confluence of millennial oriental art with the modern Impressionism. In her work that exquisite pictorial sensibility of the subtle East can be seen. She has been able to capture the nature in all its punctual complexity...
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