2010. Solo exhibition An unassailable light. Museum of Anthropology of Xalapa. As part of the cultural activity of the
Bicentenary of the Independence of Mexico.
· Retrospective exhibition Lucille Wong: Four decades of painting, at the Museo El Cuartel del Arte.
Pachuca, Hidalgo, Mexico. A catalogue with text of E. R. Blackaller is published.
· 2011. Solo exhibition Recent Work. Patricia Mendoza Gallery. Baja California.
· Exhibition Nudes, flowers, sceneries. Centro Cultural La paz. Baja California Sur, México.
2011
Destellos dorados, 2011
Homenaje a Turner No. 3, 2011
Volcán a la luz de la luna, 2011
La sombra, 2011
Viento solar, 2011
Owner of a personal accent (the pictures denounce her, do not need signature) and fundamental motives and interrogations, her work safeguards the essential astonishment of the human being: Each image is custody. On the subjects that mature in her paintings speak the titles, the designation and the sincerity of her great cycles: the embodiment of the stupor in front of the immense, the frightening rites of her religions, the superior force of the unexpected and the soft resplendence of the movements and disguises of water is called Guilin, Iguazú, Xinantécatl, Citlaltépetl...
E. R. Blackaller
Lucille Wong: Retrospective.
Four decades of painting. Catalog, 2010
Text of E. R. Blackaller
Citlaltépetl Digital, catalog, 2012
Looks on the Citlaltépetl Digital, catalog, 2012
DVD Inasible Light
Exhibition in the MAX, 2010
2 DVD Retrospective.
Four decades of painting. 2010
2010. Video on the individual Exhibition Inasiblelight presented in the Museum of Anthropology of Xalapa. Mexico.
A light inasible, 2010
Horizonte, 2011
Murmullos, 2011
Mar y brisa, 2011
Fulgor, 2011
Esplendor, 2011
Rumor del viento, 2011
Resplandor del sol, 2011
2012
Digital drawing Zen brush
THE LIGHT, THE TIME, THE FLEETING
Nube, 2012
Lluvia, 2012
Mariposa, 2012
Gota, 2012
2012. A permanent exhibition is inaugurated in Patricia Mendoza Gallery of San José del Cabo, BCS.
· The Cultural Center San Ángel invites her to take part in a collective exhibition together with most renowned artists who have had their ateliers in San Ángel, like Diego Rivera, Frida Kahlo and Leonardo Nierman among others.
· Publishes the book of digital drawings The light, the time, the fleeting.
· Begins a pictorial cycle about the Desert and the nature of the Baja California peninsula.
The light, the time, the fleeting. Digital drawings book with Zen brush. 2012
DVD Flowers, Landscapes and Nudes
Retrospective in BCS. 2012
Yegua de crin dorada, 2012
Caballo en azul, 2012
Caballo en dorado, 2012
Patio de jacarandas y duraznos, 2012
Flowers, landscapes and nudes. 2012
The dance of life, 2013
2013. Participates in the IX Biennale of Contemporary Art. In Firenze, Italy.
2013
painting cycle 2012 – 2017 BAJA CALIFORNIA. THE DESERT
Sol en La Giganta, 2013
Oasis, 2013
Finisterra, 2013
La danza del sol, 2013
La danza de la luna, 2013
Lirios blancos, 2013
painting cycle 2012 – 2017 BAJA CALIFORNIA. THE DESERT
2014
Isla espíritu santo, 2014
Cielo rojo, 2014
Dunas, 2014
Tres cirios, 2014
Rosas del desierto, 2014
Las tres vírgenes, 2014
Danza del principio y el fin, 2014
Diálogo del sol, 2014
La Giganta solar, 2014
2014. Collective exhibition: LE BIZ Lounge, Paris / Hall "The Guinguette", Toutry, Burgundy. France.
2015
painting cycle THIRTEEN MOMENTS OF LIGHT
Instante de luz No. 12, 2015
Instante de luz No. 4, 2015
Instante de luz No. 8, 2015
2015. Solo exhibition: The dance of life, Unit of Seminars Ignacio Chavez, UNAM
· She takes part in the collective Exhibition: Women in the art, UAEM
· Participates in the collective exhibition: The Landscape, a contemporary vision, Artemiza Gallery,
Ciudad Obregón, Sonora. Mexico. 2016. She integrates to the committee of directors of the AMCATH (Academia Mexicana de Ciencias, Artes, Tecnología y Humanidades), along with distinguished personalities of the National University, Mexico.
2016
Caballo blanco, 2016
Corcel y viento, 2016
Caballo dorado, 2016
Eclipse rojo 2016
Rosas rojas y flores, 2016
Árbol de Huanacaxtle, 2016
Viggé biaundo. Olivo, 2016
Behind the gaze there is the life, the memory and the remembrances; memory and remembrances are stored and configured since the artist is born (perhaps earlier) until the brush on the canvas is applied.
At that moment not only the individual memory works, but also the memory of the peoples and the times.
E. R. Blackaller
2017. The World Council of Visual Artists (COMAV) invites her to participate in International Collective Exhibition: World Day of Art.
· Exposes in the Congress of the AMCATH.
· The Niagara Falls History Museum invites her to take part in the Collective Exhibition: Water for life, to be celebrated in 2018.
El abismo
El abismo está ahí
preñado de silencio
un algo otro estremecedor
¿Cuál es el proceso?
¿Qué fuerza impulsa a crear?
Crear es un trabajo de vida, concebir un cosmos.
Y cuando se gesta la luz
como se gesta la criatura en el vientre materno,
no queda más que . . . nacer
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